An exhibition to mark the bicentenary was developed by Enfield Museum Service in partnership with the British Museum and Enfield Racial Equality Council. The exhibition looked at West African culture, the development of the local African community, the links between the transatlantic slave trade and Enfield, wealthy landowners and Quaker abolitionists who lived in the area. Free family days held during school vacations offered traditional Ghanaian story-telling, dancing and drumming, crafts and object handling. Living History Days gave visitors the opportunity to meet actors portraying William Wilberforce and Olaudah Equiano. School workshops included a drama session and performance about a runaway slave developed from material from Lambeth Archive. The museum service also produced a book, edited by Valerie Munday, which explored further the links between Enfield and the slave trade. The book was sent to all schools in the borough, and formed the basis of a teaching resource aimed at Key Stages 2 and 3. Loan boxes and handling collections provided by the museum service include Ghanaian artefacts and items relating to the slave trade. In 2011, Enfield Racial Equality Council unveiled a plaque to commemorate abolition at the Enfield Civic Centre.
The Inhuman Traffic project was led by Gloucestershire Archives, in partnership with the Set All Free initiative. The virtual exhibition and accompanying web resource were based on documents held at Gloucestershire Archives and, in particular, the papers of the anti-slavery campaigner Granville Sharp (1735-1813). The exhibition explored topics such as the contribution of black people to the abolition movement, aspects of the legacies of slavery, including racism and domestic violence. Over 400 copies of the exhibition DVD were sent to schools, churches, tourist information venues and individuals across Gloucestershire. The associated programme of events included performances of the play 'Inhuman Traffic', developed in collaboration with a local theatre company, Spaniel in the Works. The play features four interacting characters with different perspectives on slavery. A cross-curricular teaching resource was later developed, which included a second performance, 'Master and Slave', in partnership with Stroud District Museums Service, Spaniel in the Works, and Parliament Primary School, Stroud.
Kenwood House in North London is closely connected to the history of the slave trade through the lives of two of its former inhabitants. Lord Chief Justice Lord Mansfield made a milestone ruling in 1772 towards abolition of the transatlantic slave trade. Dido Elizabeth Belle - born to an enslaved mother - is believed to have been Lord Mansfield's illegitimate great-niece. This exhibition by English Heritage, and sponsored by the Friends of Kenwood, explored their relationship, and the social dimensions of the British slave trade intertwined with the history of Kenwood. Visitors to the exhibition were invited to leave a creative literary response. The Wall of Words, a literary mural in the form of a poem inspired by the recorded responses, was created by Beyonder, a multimedia artist and educator.
An exhibition at Hampstead Museum (based in Burgh House) which examined the connections between Hampstead and slavery. It looked at how fortunes made in the West Indies funded the purchase of properties in this prosperous area, through men like William Beckford and Robert Milligan. Hampstead was also home to men and women tied to the abolitionist movement, such as Samuel Hoare. William Davy, living in Burgh House, was one of the barristers who acted for runaway slave James Somerset in the case of 1772, presided over by Lord Mansfield.
An exhibition by the City of Westminster Archives Centre focused on the impact of the transatlantic slave trade and its abolition in Westminster, which drew on the Centre's archives and local studies collections. Links explored included the parish of St Anne's Westminster with St John's Antigua, and the large circle of planters living in Marylebone in the 18th and 19th centuries. The exhibition also documented the lives of the African residents of Westminster during the age of the slave trade. Some of the individuals looked at in the exhibition included James Somerset, Granville Sharp, Ignatius Sancho, Ottobah Cugoano, Olaudah Equiano, and the African activists who styled themselves 'Sons of Africa'.