Glasgow Anti Racist Alliance (GARA) organised a programme of events for Black History Month in October 2007 with a particular focus on the bicentenary and engaging people in the importance of Black history. GARA were supported by Glasgow City Council Education Services and Culture and Sport Glasgow. Events included talks at the Hunterian Museum, interactive exhibits at the Glasgow Science Centre and film showings, capoeira and African drumming workshops at the Glasgow Film Theatre. Sugar & Spice Sunday on 14 October marked the bicentenary with a festival of commemoration and celebration through films and events. GARA also hosted Black History Tours around Glasgow to explore the city's hidden slavery history.
The Towards Understanding Slavery: Past and Present initiative by Glasgow City Council aimed to increase understanding of the human effects of the transatlantic slave trade, and explore its impact on Scotland's national heritage and Glasgow's history. A series of events, exhibitions and education programmes ran across the city throughout 2007. These included an exhibition of William Blake's works relating to the idea of slavery at the Burrell Collection, and a photographic exhibition by Graham Fagen, 'Downpresserer', at the Gallery of Modern Art, examining the cultural heritages of Scotland and Jamaica. There was a series of performances and talks at Kelvingrove Art Gallery and Museum, and events at the People's Palace and Winter Gardens focused on links between Glasgow's tobacco trade and slavery through the family portrait of the 'tobacco lord' John Glassford (there is said to be a figure of a young black man behind Glassford's chair that has been deliberately obscured or painted over). A year-long programme of lectures, schools events and exhibition highlighting the life of African communities in Glasgow took place at St Mungo Museum of Religious Life and Art.
Bishop’s Stortford was the birthplace of the Victorian financier and imperialist Cecil Rhodes. To commemorate the bicentenary of the Abolition Act, Bishop's Stortford Museum and Rhodes Art Complex explored Britain’s imperial ambitions in the ‘Coveting Africa’ exhibition. The museum holds much material from Southern Africa, Zimbabwe, Zambia and Botswana: areas where British colonialism and imperialism in Africa was focused in the nineteenth century. Through a year-long programme of arts events, this project discussed the relationship between Britain and Africa, and explored British attitudes to African peoples. Events included workshops by the London School of Capoeira.