One man and two women. This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime. Source: Antislavery International and Panos Pictures.

One man and four women. This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime. Source: Antislavery International.

Nsala of Wala with the severed hand and foot of his five year old daughter murdered by ABIR militia. (Anglo-Belgian India Rubber company). This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime.Source: Antislavery International and Panos Pictures.

Nsala of Wala with the severed hand and foot of his five year old daughter murdered by ABIR militia. (Anglo-Belgian India Rubber company). Sketch based on a photograph taken by Alice Seeley Harris. This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime.Source: Antislavery International and Panos Pictures.

Ngombe man of Boputo, upper Congo. The face cicatrisation is called 'the rasp'. Cicatrisation was a common practice in this region. See John H. Harris, Dawn in Darkest Africa (London: Smith, Elder & Co, 1912). This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime. Source: Antislavery International

Ngombe man from the Bangalla region of the Upper Congo. The face cicatrisation is called 'the rasp'. Cicatrisation was a common practice in this region. See John H. Harris, Dawn in Darkest Africa (London: Smith, Elder & Co, 1912). This image formed part of the Harris Lantern Slide Collection and was used in the Harris Lantern Lecture No 2. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime. Source: Antislavery International.

Featuring artefacts, navigational equipment, maps, photographs, personal letters and diaries, Navigating the Congo is an exhibition which explored the history of non-conformist involvement in the Congo River regions during the 19th and 20th century.

By looking at the collections held in The Angus Library and Archive, the exhibition sought to bring to light some of the challenges faced in navigating this history and the relationships that developed between Baptist missionaries and the Kongo people during the period of European colonialism.

The National Museum Afroperuano (or National Museum of Afro-Peruvian History) opened in 2009. Housed in the 'House of Thirteen Coins', in Lima, the museum is dedicated to acquiring, preserving and interpreting objects relating to African history in Peru.

The exhibitions begin by examining the arrival of Africans in Peru, via the Portuguese slave trade. The interpretation explores the process of enslavement and transportation alongside the nature of plantation work and the treatment of the enslaved by the Portuguese. A range of artefacts, artist representations and artefacts visually present these issues to visitors.

The exhibition examines the abolition of slavery in 1856 following the rise of Simon Bolivar and the independence of Peru. Objects and photographs then depict the influences of African culture in different aspects of Peruvian life, including music, dress, art and food.

The National History Museum of Mauritius opened in 1948. It is housed in an French colonial villa built in 1772 that was formerly used as a military hospital, a naval museum and the Museum of Historical Souvenirs. It is managed by the Mauritius Museums Council, under the governance of the Ministry of Arts and Culture. The museum explores the social and cultural history of Mauritius; from its discovery by the Portuguese at the start of the sixteenth century, through its successive colonisations by the Dutch, French and British, up to the end of the nineteenth century.

The first floor of the museum exhibits the Dutch, French and Anglo-French wars. Each room explores a different era with artefacts from the period; these range from furniture and decorative arts to weapons, maritime equipment and ceramics.

On the second floor of the museum there is an exhibition dedicated to the British rule of Mauritius, from 1810 until 1968. The interpretation examines the transformation of Mauritius from a maritime economy to an agricultural one, with a key focus on the production of sugar. Alongside this is a discussion of the use of slavery and the development of the slave trade, indentured labour and Indian immigration. Artefacts here include agricultural tools, paintings and drawings depicting the changing landscape and the workforce, and archival documents.

The Museum of Saint Helena originated as a small natural history collection in 1854. Over the last 150 years it has moved three times before being officially opened in its current site in 2002 to mark the 500th anniversary of the island's discovery. It is housed in an eighteenth-century former power station in the island's capital, Jamestown. The museum explores the history of St Helena and it's position in the world. It has a large collection of physical artefacts supplemented by a digital archive of images, videos and audio.

The permanent exhibition offers a chronological view of Saint Helena's history, beginning with its geological development. The displays then explore the discovery of the island by European's, the role of the East India Company and migration. There is also a display about Napoleon Bonaparte's exile to Saint Helena.

Within the displays about colonisation and the East India Company are mentions of enslaved Africans brought to the island. Abolition and emancipation are also examined, as the interpretation moves on to explore the diverse make up of Saint Helena's population into the twentieth century. These displays are supported with artefacts and finds from recent archaeological digs on the island.