20 young people from the Aston area of Birmingham worked on a commemorative project exploring the impact of the 1807 Act on the African, Caribbean and Asian communities in the UK and the contributions of these communities to British society since then. Their performance at The Drum showcased poetry, singing and dance.

A carnival of dance held at Moggerhanger Park in Bedfordshire in Summer 2008 to mark the bicentenary. The project was led by arts organisation T. Hop (The H'art of Performance) with schoolchildren from Stephenson Lower and Moggerhanger Lower School. The theme was the history of carnival and slavery in Trinidad.

2007 saw a number of different projects taking place at Harewood House in West Yorkshire, home of the Lascelles family. The bicentenary was used as an opportunity to explore the family connections with the transatlantic slave trade and the sugar plantations of the West Indies.

To spotlight Harewood House's historic links with the Caribbean and carnival, in September 2007 a production of Carnival Messiah was held in a Big Top in the grounds. Carnival Messiah is a reinvention of George Frideric Handel’s oratorio Messiah as carnival theatre and heritage experience. The West Indian celebration features dancers, singers, masqueraders, musicians and actors. Stories from the Caribbean folk tradition, medieval mystery plays and African ritual combine with contemporary popular music and dance styles, including gospel, calypso, reggae, jazz, hop hop, bhangra and steel band. Geraldine Connor was Creator and Artistic Director and David Lascelles of Harewood House was Executive Producer. A community education and outreach programme ran alongside the project.

Written by composer Paul Field, Cargo premiered in Hull City Hall in March 2007, sponsored by Hull City Council. Cargo featured contemporary songs, narration, dance and images that told the story of the struggles of slaves, the historical work of William Wilberforce and the abolition movement, through to the contemporary struggles against slavery today. Performers included the singer Coco Mbassi, saxophone player Mike Haughton and Springs Dance Company. The narrators and choir were local people, including members of City of Hull Youth Choir, Redemption Gospel Choir and Hot Gospel in Hull. Cargo was also performed in London, Plymouth, Bristol and Liverpool. Smaller events were put on by church and community groups around the UK, assisted by the script, score and backing track of the music being made available on CD-Rom.

The annual Cardiff Carnival was organised by South Wales Intercultural Community Arts (SWICA) from 1990 until 2015. The theme in 2007 to coincide with the bicentenary was Rhythms of Resistance, which included carnival arts and samba workshops at community venues across Cardiff.

Leicester's Black History Season in October-November 2007 marked the bicentenary of the abolition of the slave trade. Its aim was to redress the balance from a 'Eurocentric point of view' of abolition, and focus on the Afrikan perspective with the theme of 'Souls of Black Folk'. Musical performances included gospel, Motown, reggae and jazz. Other events in venues across Leicester and Loughborough included traditional South African dance, contemporary dance, performance poetry, comedy, multimedia performances, storytelling, theatre and an exhibition, 'Africa's Gift', focusing on the economic and cultural contributions of the slaves and their descendants.

A programme of events and activities for Black History Month 2007 from Yaa Asantewaa Arts and Community Centre had a particular focus on the bicentenary. The programme included theatre, youth projects and family days. Calypso Fuh So performed special Calypsos to mark the bicentenary, and YAA/Carnival Village organised a commemorative walk to remember ancestors who died in slavery, and the Black presence in Britain. Ritual Theatre Arts created a film celebrating thirty years of African dance in Britain and International Word Power featured performances of poetry, storytelling and song.

Black Heroes in the Hall of Fame is an acclaimed stage musical which highlights the contributions and achievements made by black men and women in the world of sports, science and entertainment. First launched as a community project in 1987 at the Shaw Theatre in Camden, the production was created by Flip Fraser in collaboration with JD Douglas and Khareem Jamal. The show was the first all-black cast production to play in the West End. It returned in 2007 with a new line-up of characters, songs and dances, and recreated significant moments in black history including Kings and Queens of Africa, Freedom Fighters, Great Entertainers as well as Malcolm X, Martin Luther King, Marcus Garvey and Nelson Mandela. The musical toured London, Croydon, Nottingham, Oxford and Bristol in 2007.

A Shared History, A Shared Future was a series of projects led by Birmingham Libraries to engage with different communities within Birmingham. The project as a whole identified archival materials, local historical documents and music with an emphasis on the diverse multicultural nature of historical and modern indentured slavery, and how it relates to everyday lives in Birmingham. Over 1000 participants from schools and community groups took part in over 150 workshops to create stories, artwork, banners, protests, games, films, dances, drama and performances. A resource pack, the liberty box, was produced to encourage community groups, youth groups and others to explore the issues of slavery. In August 2007, the project organised the March for Justice in Birmingham city centre, a recreation of the Quaker and philanthropist Joseph Sturge's march against slavery in August 1838. The day included an anti-slavery fashion show, a limbo performance, storytelling, African drumming, and a Slavery Question Time Special hosted by an actor representing Olaudah Equiano.

A bicentenary brochure detailing some of the arts and non-arts activities held in Derby throughout 2007 to mark the bicentenary involving schools, community groups and other organisations. These included performances from the University of Derby's Student's Union, a debate at Derby City Council House, and a presentation of archive material from BBC Radio Derby's African Caribbean Show. The Freedom Showcase featured nine performers and writers from Leicester, Nottingham and Derby sharing their personal visions of 'Freedom' through a variety of spoken styles, from poetry, to rap and monologues. The costumes on display at Derby's Caribbean Carnival in July 2007 depicted positive images of the enslaved surviving and resisting slavery. Derby West Indian Community Association led a performance of dance and drama to depict slavery and its impact on young people, and a school project around the theme of slavery. Creative Thought was part of a Renaissance East Midlands funded Community Learning initiative. Working with an artist, participants explored the concept of slavery and its links to Derby's industrial heritage using The Silk Mill as inspiration. Tactile objects were created to share understanding about links with slavery.

The industrialist Sir Henry Tate was the early benefactor of the Tate Collection, rooted in the art of the 18th and 19th centuries. Tate's fortune - much of which was spent on philanthropic initiatives in Britain - was founded on the importation and refining of sugar, a commodity inextricably linked to slave labour in the Caribbean. There were a number of initiatives across the Tate galleries to explore these connections. 'Tracks of Slavery' at Tate Britain displayed a selection of images from the Tate's collections which provided a commentary on the relationship of British society with slavery. Displays at Tate Modern included a selection of new acquisitions linked by their treatment of issues arising from slavery and oppression. Tate Liverpool exhibited paintings by Ellen Gallagher. Special events included Freedom Songs at Tate Britain (workshops to create poetry and music by exploring themes of slavery and freedom) and a discussion at Tate St Ives looking at the links between Cornish maritime traditions, the slave trade and the Caribbean.