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http://files.www.antislavery.nottingham.ac.uk/bjz0027.jpg

A Baringa paddler – famous for his boat songs

http://files.www.antislavery.nottingham.ac.uk/bjz0028.jpg

Ngombe of Bopoto, upper Congo

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Elephantiasis in knee, Kasai District

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Aruwimi chief wearing hat of monkey skin

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Kasai woman

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Man and wife carrying load at Ikau, near Basankusu, upper Congo

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Young Aruwimi chief

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Kasai native

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Mother and her twin sons at Baringa, upper Congo. All wearing the badge of honour across the forehead

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Ngombe chief and his followers, upper Congo

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Ngombe native asleep, upper Congo

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Batetela woman, Kasai

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Baluba women, Kasai

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Mongo woman of Bokeri, Lopori – Maringa District. Upper Congo

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Batetela woman and child at Dima, Kasai River

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Dancing woman at Ekala, upper Congo

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Cicatricing, Bangala territory

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Mushamalengi, son of Lukenga, King of the Bakuba, set aside according to native custom in favour of the son of the eldest sister

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No caption [three native men]

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Tropenmuseum of World Cultures

The Tropenmuseum of World Cultures (direct translation; Museum of the Tropics) is an ethnographic museum, founded in 1864. Housed in one of the 'most impressive buildings in Amsterdam', the museum features eight permanent exhibitions and a series of temporary exhibitions. The key theme of the museum is people, with all of the exhibitions making use of the museum's vast collections of over 150,000 objects, paintings and photographs, to showcase universal human themes, including celebration, mourning and conflict.

In the 'Afterlives of Slavery' exhibition, visitors are confronted with the legacies of slavery and colonialism in contemporary Dutch society. Developed in collaboration with scientists, artists and activists, the exhibition tells the history of slavery with the experiences of the enslaved, and their descendants, at its heart. Video portraits provide the perspectives of four key figures in the contemporary debates about colonial legacies for Dutch black people.

The key link between past and present here is the continuation of inequality and prejudice. Collections, both historic and contemporary, highlight this, as well as illustrating how times have changed. These include testamonies of enslaved people, books, portraits, 'relics of slavery' and examples of African art.