There are an estimated 403,000 people living in modern slavery in the United States (GSI 2018). Sex trafficking exists throughout the country. Traffickers use violence, threats, lies, debt bondage and other forms of coercion to compel adults and children to engage in commercial sex acts against their will. The situations that sex trafficking victims face vary, many victims become romantically involved with someone who then forces them into prostitution. Others are lured with false promises of a job, and some are forced to sell sex by members of their own families. Victims of sex trafficking include both foreign nationals and US citizens, with women making up the majority of those trafficked for the purposes of commercial sexual exploitation. In 2015, the most reported venues/industries for sex trafficking included commercial-front brothels, hotel/motel-based trafficking, online advertisements with unknown locations, residential brothels, and street-based sex trafficking. Terry was sexually abused at the age of 15 by her boss, an event that she pinpoints as the seed from which her problems began. That same year she suffered a number of other traumas that led to the beginning of her cocaine use. 10 years later, married with children, Terry’s drug use became out of control and she lost custody of her children and ended up on the streets. Within two months of this, she found herself trafficked in to a life of prostitution. Here Terry, now executive director of the survivor led organization Breaking Free tells of the environment in which many women subjected to forced prostitution grow up in, describes who it is that sets the demand for prostitutes, and tells of the warning signs among children vulnerable to trafficking.
The San Diego Museum of Man is an anthropological museum that originated from the 1915 Panama-California Exposition that celebrated the opening of the Panama Canal. Over the last century, the museum has expanded and developed in its original buildings at San Diego's Balboa Park. It took its present name in 1978. The museum's mission is to inspire human connections by exploring human experiences, around the world and through the ages.
The museum features twelve permanent exhibitions that explore a range of themes linking to human development and cultures. These include 'Ancient Egypt', 'Living with Animals' which explores the human practice of keeping pets, and 'PostSecret' which examines the concept of secrecy throughout societies.
Another permanent exhibition, 'Race: Are we so different?' explores the distinctions of race and the origins of racism in America. A timeline maps instances of racism throughout the nation, and includes focusses on Native American communities, as well as enslaved Africans, Civil Rights and the Jim Crow era. Text interpretation also includes biological facts about race and genetics to address long held historic views about hierarchies of race.
Initially a temporary exhibition, it was so successful with visitors the museum decided to house it permanently. 'Race: Are we so different?' was developed in conjunction with the American Anthropological Association and the Science Museum of Minnesota. The exhibition features heavily in the museum's school programmes in providing a platform to promote discussion of feeling, thinking, acting, and reflecting on race and identity, and to raise awareness and build positive relationships across communities in America today.
During the Industrial Revolution Nottingham was famous for the manufacture of lace. In 2007 British-Ghanaian artist Godfried Donkor, supported by The New Art Exchange and the Centre for Contemporary Art in the city, investigated the often-neglected connections between this luxurious commodity and the cotton picked by enslaved Africans in the Caribbean and American South. The research culminated in an exhibition, ‘Once Upon a Time in the West There Was Lace’, at the Yard Gallery at Wollaton Hall in early 2008. The Elizabethan manor is also home to the Industrial Museum which holds lace-making machinery. A key part of the display were outfits created from brightly coloured lace, now a prized material in West Africa. Donkor's paintings on pages of the Financial Times represented people, culture and goods crossing the Atlantic in different eras. The exhibition was accompanied by a series of public events which looked at the links between the city’s past lace-making industry and slavery, including lectures and a free symposium.
There are an estimated 465,000 people living in modern slavery in Sudan (GSI 2018). Between 1983 and 2005, the central government of Sudan enslaved tens of thousands of black South Sudanese Christian and traditionalist people. It was part of a genocidal war against South Sudan, with a simple aim: to force South Sudan to become Arab and Muslim. Francis was seven years old when he was taken by North Sudanese militia and enslaved on a farm in North Sudan. He was beaten and force to sleep with the animals. After 10 years Francis was finally able to escape. He now travels around with antislavery organisations telling his story and raising awareness of modern day slavery.