Black Man Don't Float? is a play developed by Sameboat Project, a not-for-profit organisation working in collaboration with the Pierian Centre Bristol, Gecko Theatre Ipswich, and the Arrow Project at University College Plymouth. Set in the ocean off West Africa, a white yachtsman collides with an African economic migrant who is trying to reach the Canaries in a home-made vessel. They have to co-operate to survive, but their differences lead to confusion. Performed by West African performer Ayodele Scott and UK-based writer and performer Martin Hubbard, Black Man Don't Float? was shown in the UK and then travelled to Sierra Leone. The show was accompanied by a workshop entitled Fair Share, exploring issues around the fair sharing of resources, and the challenges facing developed and developing nations in their negotiations about aid, trade and the exploitation of natural resources.
Breaking Chains - Sheffield Civil Rights was a project by Sheffield Galleries and Museum Trust to look at the slave trade and to celebrate Sheffield’s heritage by exploring the role local campaigners played in securing workers' rights. The resources targeted Key Stage 2 pupils. There was a particular focus on the visit to Sheffield by the African abolitionist Olaudah Equiano in 1790. Actor Joe Williams played Equiano in a dramatisation still available to view on the teaching resource. Featured here are some of the downloads available.
As part of the Abolition 200 programme, the Bristol 1807 project set out to explore the lives of ordinary Bristolians in 1807. An exhibition in the Central Library, and a series of touring exhibitions in Bristol's libraries and community centres explored society, culture, trade and travel in 19th century Bristol, a city and port with many ties to transatlantic slavery. The project collaborated with local schools to provide creative art workshops for children around themes of slavery and freedom. There were also 'Treasures in Store' hands-on sessions with rare library artefacts concerned with the period of abolition including books, newspapers and everyday objects. A book emerging from the project, 'Bristol in 1807: Impressions of the City at the Time of Abolition' by Anthony Beeson, was published in 2009.
A carnival of dance held at Moggerhanger Park in Bedfordshire in Summer 2008 to mark the bicentenary. The project was led by arts organisation T. Hop (The H'art of Performance) with schoolchildren from Stephenson Lower and Moggerhanger Lower School. The theme was the history of carnival and slavery in Trinidad.
After 1825, on leaving Parliament, William Wilberforce retired to Hendon Park in Mill Hill, North London, and during his retirement built a chapel on his estate, now St. Paul's Church. St. Paul's organised a programme of events in 2007 to mark the bicentenary, including concerts by The London Community Gospel Choir and The St. Ignatius Gospel Choir. A series of exhibitions in London Borough of Barnet libraries explored Wilberforce's local connections, and visits to local schools encouraged pupils to express their understanding of slavery and abolition in art, and stressed the need to continue the work of abolitionists today. The programme also included a number of open public meetings with invited speakers exploring different aspects of Wilberforce's life and work, including his collaborations with Thomas Clarkson and John Newton. In 2008 the Wilberforce Centre was opened in the crypt space of St. Paul's.
An exhibition at the Royal Naval Museum at Portsmouth Historic Dockyard explored the role of the Royal Navy squadron established after 1807 to patrol the West African coast and suppress the transatlantic slave trade. Using illustrations, contemporary accounts and original diaries of Royal Navy personnel, the exhibition examined key aspects of the campaign against Atlantic slave traders. It also looked at the Royal Navy's efforts against human trafficking and in the pursuance of humanitarian rights today. There was an accompanying programme of schools workshops and community events. Two specially produced films discussed the legacy of the squadron's work and recreated the abolition debates of the time.
COSTA stood for 'Commemoration of Slave Trade Abolition' and was a project of Sul'Art, a community art organisation in Bristol. Sul'Art delivered a programme of music, drama, art and dance to a number of schools and community groups to explore meanings of the bicentenary, working around themes such as migration, identity, celebration of difference, critiques of consumerism and intergenerational dialogue. Sul'Art also presented a number of performances of the professional jazz show ‘King Cotton’, dramatising the story of the cotton industry in music, song and film.
Bury Archives and Museum collaborated on an exhibition based on the journals, letters and other papers of John Hutchinson. The Hutchinson family's cotton spinning business had links to slavery in the United States: in 1848, John Hutchinson travelled to America to buy cotton produced by slaves. The exhibition at Bury Art Gallery featured archives, museum objects and paintings that put the papers into a social context. Cotton Threads went on tour to branch libraries, where talks and family workshops explored family histories and the cotton business. Volunteers assisted in conserving, cataloguing and digitising the Hutchinson papers, which were made available online. Primary school pupils took part in workshops held in the exhibition and a resource pack for secondary schools was produced with local teachers (available to download from the Cotton Threads website).
Dark Heritage from Bee Arts Community Interest Company comprised The DARK, a sonic art installation, and accompanying participatory educational activities. The DARK touring installation is a pitch black space designed to bring home the horrors of the transatlantic slave trade in the 18th century. The three dimensional soundscape uses ghosts as metaphors for the hidden aspects of the past, based on the Liverpudlian slave-ship worker Edward Rushton, slave ship Captain John Newton, and Kunie, an African man who met Rushton aboard an American ship. A programme of public sessions and creative educational workshops aimed at schools, colleges, youth and community groups were produced in collaboration with Kingswood Primary School in Lambeth. Dark Heritage travelled to six locations in the UK in 2007-08 starting in Greenwich, travelling to Ipswich, Gloucester, University of Hertfordshire, Norwich and finishing in Manchester.
Emancipation of the Dispossessed was a local community project exploring the local history of Deptford and the surrounding areas and the connections with the transatlantic slave trade. Community groups and students from Lewisham College worked with theatre educators to research and develop 'Blood Sugar', a promenade performance through the Queen's House, Greenwich. The play, written and directed by John Turner, tells the story of slavery and abolition from a local angle, and the script was built around first-hand and eyewitness accounts, campaign pamphlets and reports to parliament. The project also produced learning resources aimed at Key Stage 3 History and Citizenship.
A guided walk explored Deptford’s links to the history of the transatlantic slave trade, uncovering stories of some of the local people who played an important role in the beginnings of the slave trade or the campaign for its abolition. London was an important slave trading port before Bristol and Liverpool dominated the trade. The trade and British colonies were protected by the Royal Navy, whose ships were built and prepared for voyages at the Royal Dockyards at Deptford.
An exhibition to mark the bicentenary was developed by Enfield Museum Service in partnership with the British Museum and Enfield Racial Equality Council. The exhibition looked at West African culture, the development of the local African community, the links between the transatlantic slave trade and Enfield, wealthy landowners and Quaker abolitionists who lived in the area. Free family days held during school vacations offered traditional Ghanaian story-telling, dancing and drumming, crafts and object handling. Living History Days gave visitors the opportunity to meet actors portraying William Wilberforce and Olaudah Equiano. School workshops included a drama session and performance about a runaway slave developed from material from Lambeth Archive. The museum service also produced a book, edited by Valerie Munday, which explored further the links between Enfield and the slave trade. The book was sent to all schools in the borough, and formed the basis of a teaching resource aimed at Key Stages 2 and 3. Loan boxes and handling collections provided by the museum service include Ghanaian artefacts and items relating to the slave trade. In 2011, Enfield Racial Equality Council unveiled a plaque to commemorate abolition at the Enfield Civic Centre.
The Engage 2007 Festival of Culture celebrated cultural freedoms in South Gloucestershire. Led by South Gloucestershire Council, and in partnership with local volunteer groups, schools and community groups, the festival took place on 17 November 2007. It featured 40 live performances of drama, dance and music from India, China, Africa, South America and Europe, a world food zone, family workshops, youth and environmental activities and 60 interactive and information stalls. The Impact exhibition was produced as part of Engage 2007, exploring the part that people living in South Gloucestershire played slavery and abolition.
The Hunterian Museum at the Royal College of Surgeons holds the human and comparative anatomy collections of the surgeon John Hunter (1728-1793). The Exhibiting Difference project was the Hunterian Museum’s contribution to the bicentenary, exploring the history of the transatlantic slave trade through the history of medicine and the experiences of those who lived on the margins of society. Exhibiting Difference focused on the hidden histories of Black Africans living with skin pigmentation conditions in the 18th and 19th centuries, and thus explored issues of identity, self-image and cultural distinctiveness. Curated by Temi Odumosu, the exhibition ‘A Visible Difference: skin, race and identity 1720-1820’ was opened at the Hunterian Museum, featuring portraits of Black African slave children, Mary Sabina and George Alexander Gratton, who both had the skin pigmentation condition piebaldism. The museum also worked with over 200 secondary school students and four professional artists to create a display of sculpture, painting, collage, photography, film and sound recording reflecting the themes of the project. Learning resources were produced to support citizenship education.
The Museum of Fulham Palace is housed in the former palace of the Bishops of London, and former home of Bishop Porteus, the leading advocate for abolition within the Church of England in the late 18th and early 19th centuries. The Faces of Freedom exhibition featured Porteus alongside other individuals associated with slavery and abolition who had links with the area. The abolitionist Granville Sharp lived and is buried nearby, while Crisp Road was named after the slave trader and bead manufacturer Sir Nicholas Crisp. The exhibition included glass beads (very likely produced to be used for barter in Africa) excavated by the Museum of London on the site of Crisp's Hammersmith home. Also featured was the story of Ellen and William Craft, fugitive slaves from Georgia who made Hammersmith their home, and the contributions of local residents Marcus Garvey, Jamaican Pan-Africanist, and nurse Mary Seacole. The exhibition included video footage and posters relating to slavery and freedom, created by pupils from the nearby Phoenix High School.
East Riding's Freedom Festival in 2007 commemorated the abolition of the slave trade and explored issues of modern day slavery through a multi-sensory performance featuring pupils from mainstream and special schools in the East Riding area. The play was in three parts - the transatlantic slave trade, emancipation and modern day slavery. Resources and activities from the project were then made available to schools interested in developing an inclusive arts project.
A collaborative project between Churches Together in Northampton, English Heritage, Northamptonshire Black History Association (NBHA) and The Northampton Schools Excellence Cluster. Freedom From the Past: Long Time Coming was led by Mary Clarke, Director of the Doddridge Centre, where the NBHA office is based. The project commemorated the 1807 Act and the wider histories of black resistance and the fight against the slave trade through music, drama and historical workshops in Northampton.
The 'Passage' event was held in St Giles' Church on 25 March 2007, an evening of drama, songs and speeches reflecting on the legacies of slavery. There was a 150-strong gospel-style community choir drawn from schools in the Northampton area and local community groups. The event was one of a range of project activities in Northampton which brought together schools, community groups, churches and heritage organisations to explore the issues of slavery in the British Empire. Other events included a community event and 'Walk to Freedom' at the Northampton West Indian Community Association (NWICA) to mark 'Emancipation Day', annually held throughout the Caribbean to celebrate the abolition of slavery. English Heritage funded a professional DVD recording which was afterwards made freely available to NBHA members and others.
In this website and Key Stage 3 Resource Pack, the City of London Festival examined the work of the Afro-European violinist George Bridgetower (1778-1860) and, in particular, his relationship with the composer Ludwig van Beethoven. The resource also explored the role of other artists, writers and musicians who were active at the same time as Bridgetower, with a special focus on their relationships to the anti-slavery movement. The website provided music, video clips and worksheets, alongside an interview with Julian Joseph, composer of the jazz opera Bridgetower - A Fable of 1807, toured by English Touring Opera. The resource was part of a broader education project developed by City of London Festival, which included the exhibition, 1807: The Life and Times of George Polgreen Bridgetower, held in the walkways of London's Tower Bridge. The education project also included storytelling, music and creative writing workshops in secondary schools.
This project was a collaboration between the Dales Countryside Museum in Hawes and North Yorkshire Record Office to research people and places of the Yorkshire Dales connected with Africa, the Caribbean and India. 'Hidden History' collected local stories of slave owners and traders, abolitionists, Africans and Asians who moved to the Dales, and others like the actor Ira Aldridge who passed through. The project included various community activities. Working with actor Joe Williams, pupils from the Wensleydale School explored the life of Olaudah Equiano and performed alongside Joe at the exhibition opening. There were drop-in sessions on exploring family history, carnival costume making, talks and music. The exhibition toured to other locations in Yorkshire, including Boroughbridge Library. The Dales Countryside Museum has continued to collect information relating to individuals who were connected with the Yorkshire Dales and the wider world.
A collaborative project between Barnsley Archives and Local Studies, the Cooper Gallery and Cannon Hall exploring local connections to the slave trade. Cannon Hall is the ancestral home of the Spencer Family, who made their fortune in the local iron industry. In the mid-18th century, Benjamin Spencer became involved in the slave trade, and owned a slave ship called ‘Cannon Hall’; in contrast, Walter Spencer-Stanhope, who inherited the hall in 1775, supported the abolitionist movement. Pupils from local primary schools explored the hall’s connections to the slave trade and abolitionism, and produced artwork in response to the hidden histories, some of which were exhibited in the Cooper Gallery’s exhibition, ‘Witness’.
The ‘Hidden Stories’ project also explored the Crossley Family archive held by Barnsley Archives and Local Studies (Benjamin Crossley owned a sugar plantation in Jamaica). Barnsley Archives worked with the Barnsley Black and Ethnic Minority Initiative on a project to encourage black and minority ethnic groups in the Barnsley area to discover more about their roots. Other partners included Barnsley Out of School Study Support Network, Foulstone City Learning Centre and Just Addictive Music.
Human Cargo was a partnership project between Plymouth City Museum and Art Gallery, and the Royal Albert Memorial Museum, Exeter. The project consisted of two main components. The first was a historical exhibition, which explored the development of the transatlantic slave trade and, in particular, the role of Plymouth as a port, the involvement of the City's dignitaries and the South West's links with the abolition movement. The second part was a contemporary art response to modern forms of slavery and historical legacies, including the flower picking trade, sweatshop labour and the Fair Trade Movement. This work was newly commissioned and included audio visual pieces, installations, hand-printed wallpaper and participatory objects. A variety of events and activities took place alongside the exhibition including education workshops, performances, African music and storytelling activities, and Elizabethan House re-enactment sessions.