'Field Slave Number 139' was written and produced by Ava Ming, and commissioned by The Drum in Birmingham as part of their Routes to Freedom programme. The play focuses on a love story between a dark-skinned field slave and mulatto house slave on a plantation in America's Deep South. 'Field Slave Number 139' is written mostly in monologues with occasional interaction between the actors: all three were on stage for the duration of the piece. The 2007 production featured two performance poets and a local actor.
East Riding's Freedom Festival in 2007 commemorated the abolition of the slave trade and explored issues of modern day slavery through a multi-sensory performance featuring pupils from mainstream and special schools in the East Riding area. The play was in three parts - the transatlantic slave trade, emancipation and modern day slavery. Resources and activities from the project were then made available to schools interested in developing an inclusive arts project.
A collaborative project between Churches Together in Northampton, English Heritage, Northamptonshire Black History Association (NBHA) and The Northampton Schools Excellence Cluster. Freedom From the Past: Long Time Coming was led by Mary Clarke, Director of the Doddridge Centre, where the NBHA office is based. The project commemorated the 1807 Act and the wider histories of black resistance and the fight against the slave trade through music, drama and historical workshops in Northampton.
The 'Passage' event was held in St Giles' Church on 25 March 2007, an evening of drama, songs and speeches reflecting on the legacies of slavery. There was a 150-strong gospel-style community choir drawn from schools in the Northampton area and local community groups. The event was one of a range of project activities in Northampton which brought together schools, community groups, churches and heritage organisations to explore the issues of slavery in the British Empire. Other events included a community event and 'Walk to Freedom' at the Northampton West Indian Community Association (NWICA) to mark 'Emancipation Day', annually held throughout the Caribbean to celebrate the abolition of slavery. English Heritage funded a professional DVD recording which was afterwards made freely available to NBHA members and others.
The dance-theatre production Heartbeat Riddim Chant was based on the horrors of the transatlantic slave trade. The production premiered at the West Yorkshire Playhouse in Leeds in July 2007, and mixed dance, live music and voice, including traditional Caribbean folk dancing blended with contemporary reggae. The show was choreographed by David Hamilton, and featured dancers from Regeyshun Dance and members of the community dance group Back Bone. There were also performances from youth dance groups and young voices from across Leeds, including LS7 Result, Northern School of Contemporary Dance, Gee4orce and Leeds Young Authors.
This partnership project, led by Hertfordshire Archives, investigated the links between Hertfordshire people, the slave trade and abolition through stories from original archival documents. Project outcomes included creative workshops, a booklist, a DVD documentary, a heritage trail booklet, and collaboration with the project for the restoration of the Thomas Clarkson monument in Thundridge. The monument was erected in 1879 to mark his involvement in the campaign to abolish slavery. The ceremony to re-dedicate the monument in November 2007 involved pupils from Thundridge Primary School performing a dance that they had developed with arts-led charity Theatre Is….
Hetty, Esther and Me was an original drama researched, written and performed by Trafford Youth Service and 15 African Caribbean girls from Stretford High School. The play was performed at Quarry Bank Mill, a working Georgian cotton mill on the outskirts of Manchester, owned by the National Trust. The play centred on connections between cotton produced by slaves and child labour in English mills, and the wider social issues of slavery and poverty during the Industrial Revolution. The story was told through the relationship between a slave girl (Hetty), a young mill worker (Esther) and a group of young women living in present-day Trafford.
The Hidden Connections exhibition was a result of partnership between the Public Record Office of Northern Ireland (PRONI) and the Linen Hall Library in Belfast. The exhibition explored Ulster's links with slavery after 1807 via people, events and places, and looked at both the pro and anti-slavery debates in Northern Ireland. It drew on documents from PRONI’s archives, artefacts from the Ulster Museum and contemporary books and pamphlets from the Linen Hall Library and elsewhere. After its launch at Linen Hall Library, the exhibition toured Northern Ireland, travelling to Down Museum, the Harbour Museum in Derry, Lisburn City Library and the Ulster American Folk Park.
The wider Hidden Connections programme featured workshops exploring archival sources, performances and lectures by leading scholars. There was a panel discussion on ‘Slavery Now’, a walking tour of Belfast sites associated with the slavery issue, and a boat trip on the Lagan focusing on the port’s links with slave colonies. Gerry McLaughlin’s ‘Blood sugar’ is a drama documentary devoted to the literature of slavery, music and song. 'Freedom and Liberty' was the theme of the UK-wide Archives Awareness Event. PRONI organised special events and produced a catalogue, 'Ulster and Slavery', listing the references to slavery to be found in the archive.
A number of events to mark the bicentenary of the Abolition Act of 1807 took place as part of Ilkley Literature Festival in 2007. Authors Caryl Phillips and Ben Okri discussed their work, and writers from the Peepal Tree Press Freedom Project premiered their poetry. 2007 Poet in Residence Rommi Smith invited festival goers to help create a unique literary 'Freedom Quilt', and gave a multi-media performance drawing on her recent visit to the Gambia. Street theatre was provided by performances of Sugar Beat Skank by Regeyshun Dance and the Leeds Bi-centenary Transformation Project. Members of the Leeds Diasporian Stories Research Group shared new material uncovered in the course of their research into the links between Yorkshire and the Atlantic trading world, and actor Joe Williams performed and answered questions as the African abolitionist Olaudah Equiano.
The Inhuman Traffic project was led by Gloucestershire Archives, in partnership with the Set All Free initiative. The virtual exhibition and accompanying web resource were based on documents held at Gloucestershire Archives and, in particular, the papers of the anti-slavery campaigner Granville Sharp (1735-1813). The exhibition explored topics such as the contribution of black people to the abolition movement, aspects of the legacies of slavery, including racism and domestic violence. Over 400 copies of the exhibition DVD were sent to schools, churches, tourist information venues and individuals across Gloucestershire. The associated programme of events included performances of the play 'Inhuman Traffic', developed in collaboration with a local theatre company, Spaniel in the Works. The play features four interacting characters with different perspectives on slavery. A cross-curricular teaching resource was later developed, which included a second performance, 'Master and Slave', in partnership with Stroud District Museums Service, Spaniel in the Works, and Parliament Primary School, Stroud.
The Lambeth and the Abolition programme included debates, historic trails, a video conferencing discussion between people in Brixton, Ghana and Jamaica, Caribbean family history classes, creative writing workshops, and a dedicated series of events within Black History Month. ‘The Runaways’, an original drama about a runaway slave boy and a kitchen maid in London in 1700, was performed in Lambeth primary schools, accompanied by a workshop. The project researched the local historical links to abolition, and famously the activities of the Clapham Sect (William Wilberforce and his associates) who attended Holy Trinity Church in Clapham. A booklet by historian S. I. Martin sets the history of abolition in the larger context, through his study of the African Academy at Clapham, and his mapping of some of the links between Lambeth, Jamaica and West Africa at the beginning of the 19th century.
This collaborative community initiative celebrated African and Caribbean culture in Leeds, with a focus on commemorating the Abolition Act by 'highlighting African achievement, liberation and aspirations'. New exhibitions, publications and resources were produced and over 100 bicentenary events organised under different themes: Education and Museums; Arts and Carnival Culture; Churches and Abolition; Legacy; Black History and Community Development; Media and Communications. Highlights included the photographic exhibition and pamphlet 'From Abolition to Commonwealth', which remembered indentured labour in Africa and the Caribbean after 1807, and the 40th anniversary of Leeds West Indian Carnival, with themes that highlighted heritage, liberation, respect and freedom. Project outputs included an education pack, black history classes, concerts, church services, lectures and performances.
London Shakespeare Workout presented a new 21-song musical, celebrating the life of the African-American poet Paul Laurence Dunbar. Dunbar's parents were freed slaves and he used some of their tales of plantation life in his work. Set backstage in a British theatre in 1897, the play explored themes such as love and loneliness, racial interactions, and the abolition of the slave trade. With an original score by Tim Williams, the play opened in Westcliffe, and toured 26 venues around the UK. Each performance was followed by a ‘talk-back’, allowing audience members to share their views on the issues raised by the production. Special interactive workshops were also created for schools and community groups to bring the concepts of slavery and abolition to life through history and literature.
Liverpool hosted a city-wide programme of activities and projects to commemorate the bicentenary, as part of events to mark the city's 800th birthday. The events aimed to celebrate the African Diaspora and support works by artists of African descent. They included: LEAP, an annual contemporary dance festival featuring African dance companies; a performance of Mighty Diamonds - Reggae Legends at the Philharmonic Hall; the Roscoe Lectures; the Brouhaha International Carnival, celebrating resistance, rebellion and abolition; the Africa Oyé Music Festival at Sefton Park; the Bound exhibition at Open Eye Gallery, showing works representing personal perspectives on the physical and psychological impact of slavery on humanity; and many other lectures and debates. There was also a slavery trail around the city.
A play by the Malcolm X Elders Theatre Company in Bristol, addressing issues of age, identity and heritage.
Mass Carib is a choral performance piece written by Felix Cross. In 2007 it was performed outdoors at the Royal Naval College in Greenwich by Nitro Theatre Company, as a finale to the Greenwich and Docklands International Festival. To accompany the performance, the festival collaborated with the National Maritime Museum and Nitro on a programme of workshops in schools in Greenwich exploring the themes of the production. Mass Carib was written as a Requiem using the liturgical form of the Catholic Mass. It draws on music from West Africa, eighteenth-century Europe and various Caribbean islands. Mass Carib is sung in English, French, Patois, Latin and Yoruba.
Written and directed by Mervyn Weir, 'Nobody Knows' used drama, dance, music and imagery to explore the history of the transatlantic slave trade and its legacy today. Told through the eyes of Olaudah Equiano, the play celebrated the dignity, pride, and spirit of Black people as they fought for emancipation from slavery. In 2007 the play was presented by Krik Krak productions during the Routes to Freedom season at The Drum in Birmingham.
Norfolk’s Hidden Heritage was a partnership project between the Norwich and Norfolk Racial Equality Council (NNREC), the Norfolk Record Office (NRO) and the Norfolk Museums and Archaeology Service (NMAS) which researched the links between Norfolk and transatlantic slavery. For example, many slaving voyages left England from King's Lynn, while the Dalling family of Norfolk owned the Donnington Castle plantation in Jamaica. The exhibition, curated by Norfolk Record Office, won an award for the Best Black History Project for the East of England from the Black History Society. The website provided an interactive timeline to trace Norfolk’s Hidden Heritage from 1670 to today. There was also a database to search for important people, places and dates. Workshops were run in a number of schools, and information packs distributed. More widely, the project worked with the University of East Anglia, Norwich City College, the Prison Service and the Youth Offending Team. As part of the project, Norwich Academy Drama Group put together the production 'Diary of a Son of Africa', about an enslaved African who eventually gained his freedom.
'One for Me' was a touring play by the Fairgame Theatre Company that was performed at the Everyman Theatre in Cheltenham. Set in 2007, the play focuses on a local MP driven by a mysterious stranger to explore the history of slavery and the wealth it generated.
The African and African Caribbean Kultural Heritage Initiative (ACKHI) is a not-for-profit Black Afrikan-led community organisation, with the aim is to promote, protect and preserve the history, heritage and culture, of peoples of Black African heritage living or working in Oxfordshire. The Out of Africa programme of events in 2007 included an exhibition of books about slavery and the slave trade, which toured Oxfordshire libraries, and performances of African music and contemporary dance. The ‘Remembering Slavery’ commemorative service was held in Christ Church Cathedral. ‘Connections’ was a research project looking at Oxfordshire’s links to the system of slavery and the slave trade. ‘InTentCity’ was a visual arts project, in partnership with Fusion Arts, bringing together cultural groups, primary schools and artists to transform tents into works of art – one theme addressed was ‘Freedom’. Reflecting the legacy of the system of slavery and the slave trade, ‘Common Threads’ was an exhibition of textile work by the Textiles for Peace group, local women representing multi-cultural Oxfordshire. In ‘Ancestral Souls’, the African Women’s Art Collection (AWAC) collaborated with women of African descent to produce and exhibit 200 dolls to represent the diaspora of African peoples.
Passion and Pride was a creative partnership project bringing together Leeds City Council's Arts and Regeneration Unit with twelve local community organisations. Building on momentum established through Black History Month, the performances, exhibitions and workshops celebrated black heritage and culture in Leeds during 2007. Highlights included the performance of 'Grandma's Story' at West Yorkshire Playhouse by the 10-2 Club, a short play about the real life experience of living through slavery.