The National Portrait Gallery created a new gallery trail to mark the bicentenary, written by Dr Caroline Bressey. The trail highlighted portraits of key individuals, ranging from Elizabeth I to William Wilberforce, linked to the slave trade and its abolition. Portraits included those who invested in the trade, or who owned slaves and supported slavery, as well as images of enslaved people themselves and of people who were prominent in the movement to abolish the trade. The trail ended with a series of contemporary portraits of individuals involved in preventing slavery today. A week of talks, music, film and family activities included a discussion of the painting 'The Anti-Slavery Convention, 1840' by Benjamin Robert Haydon.
Bolton Museum and Archives was one of eight heritage bodies in the 'Revealing Histories: Remembering Slavery’ partnership in Greater Manchester. The project set out to explore the history, impact and legacy of slavery on Britain through collections and community links in the North West.
Bolton Museum and Archive Service launched a trail around its galleries to re-interpret objects on display in the context of slavery and its legacies. At the centre of the trail was Samuel Crompton's spinning mule, a machine which helped to revolutionize the British cotton industry. As part of the project, Bolton Council republished and distributed 'The Narrative of the Life of James Watkins', originally published in 1852. Watkins escaped slavery in the southern United States and travelled to Lancashire to become an anti-slavery campaigner. The museum also hosted African folk storytelling sessions, and produced a Key Stage 3 education pack, 'Chains and Cotton: Bolton’s Perspective on the Slave Trade'. A special event day, 'Facing up to the past' featured performances, poetry reading and debate.
Gallery Oldham was one of eight heritage bodies in the ‘Revealing Histories: Remembering Slavery’ partnership in Greater Manchester. The project set out to explore the history, impact and legacy of slavery on Britain through collections and community links in the North West.
A number of objects from Gallery Oldham's collections were identified as having links to the histories of the slave trade and slavery, focused on the themes of sugar, abolition, the American Civil War and the cotton industry. Two exhibitions also played a role in this trail. 'Cops and Bobbins', exploring Oldham's textile industry, illuminated the links with American slavery in the 19th century. 'Oldham Votes' looked at the significance of the election of 1832, during which slavery and abolition were debated. In collaboration with Touchstones Rochdale, Gallery Oldham also hosted a special day event, 'Slavery - what's it got to do with us?', featuring family activities, debate, and performances of African dance.
As part of the Revealing Histories: Remembering Slavery project, Manchester Art Gallery highlighted items in its collection of fine art and decorative objects which revealed the wealth generated by the region's involvement in the transatlantic slave trade and the public's consumption of sugar, tea, coffee and tobacco. Additional special events included Tina Tamsho-Thomas performing poetry commissioned in response to the objects connected to sugar. In the exhibition 'Manchester Attitude', local community groups created a new display to express their thoughts about the legacy of Manchester's involvement in the transatlantic slave trade. Examples of these community-led artworks include 'Injustice' (with artists Colette Gilmartin and Tony Curry) and 'Simply Read' (with artist Nathan Carter), available to view on Manchester Art Gallery's website.
Events at the People's History Museum in Manchester included a Revealing Histories trail, which highlighted museum objects with links to slavery, such as 'The Slave' print from the 1820s. A living history performance, 'How do you plead?', featured a representation of the Chartist leader William Cuffay, whose campaign for the right to vote saw him transported to Tasmania for treason.
Action of Churches Together in Scotland (ACTS), which brings together nine Scottish denominations, marked the bicentenary with the Scottish Ecumenical Service to commemorate abolition held in the David Livingstone Centre in Blantyre in June 2007. The group also published a leaflet, ‘Slavery and Scotland’. On 25 March 2007, a commemoration walk was organised in partnership with the National Trust for Scotland. The walk started in Musselburgh and ended at the Gardens of Inveresk Lodge, once owned by James Wedderburn, who made his fortune as a slave owner in Jamaica. His son, the Jamaican-born Unitarian radical and anti-slavery advocate Robert Wedderburn, came to Musselburgh in 1795 to visit his father, but did not receive a good welcome.
ACTS also set up Freedom for All, a website project to mark the bicentenary. The website was intended to be a hub of resources and information on the impact of slavery, slave trade and abolition on Scotland.
Southwark Council created two online resources to commemorate the bicentenary. A historic walk, produced in collaboration with the Museum of London Docklands, highlighted locations connected with the slave trade and the early presence of Africans in Southwark. A timeline detailed key dates and events that led to the transatlantic slave trade, including Southwark's local connections to the trade and its abolition. The Cuming Museum in Southwark also held an exhibition, 'Lost and Found'.
The year-long programme of commemorative events from Camden Council was put together in consultation with the 1807-2007 Taskforce of local African and Caribbean community leaders. The key to these events was remembering slavery through the resistance of Africans, their celebration in their liberation and their unity in tackling present-day inequalities. Camden’s 18th and 19th Century Slavery Trail was created around the area. In eight stops, it explored the lives of men and women connected to the slave trade who lived and worked in the London Borough of Camden. The Resistance Film Season, in partnership with the British Museum, explored the legacy of the slave trade through a mixture of contemporary and classic films. Other events also included local exhibitions, poetry readings, debates and talks.
Remembering Slavery 2007 involved museums, galleries and other cultural organisations across the North East of England in a programme of exhibitions, events, performances, lectures and activities to explore the themes of slavery and abolition, and identify connections with the region.
In Sunderland, the Museum and Winter Gardens hosted a varied programme of activities under the Remembering Slavery 2007 umbrella, including African drumming sessions, African inspired textile crafts, poetry workshops and storytelling. There were also guided walks around the sites associated with James Field Stanfield, the leading Sunderland campaigner against the slave trade. Elsewhere in the city, The Power of Words: an Image of Africa Past and Present was a creative writing project in collaboration with the Sunderland African Association. Participants worked with poet and writer Sheree Mack to produce poems exploring slavery and its relevance in contemporary times.
The Sweet History? project saw the Bristol Architecture Centre work with young people from the Knowle West Media Centre to explore the social and economic impacts of the sugar and slave trades on the built environment heritage of Bristol. Working with local artists and historians, the young people put together the Sweet History? Trail, containing photographs and information about 23 sites in and around Bristol that have links to the sugar and slave trades. The project had a particular focus on using digital technology to develop an interactive website (which included an audio podcast of the trail) to engage youth audiences with the study of heritage buildings.
identity on tyne is a group for writers and artists of colour in North-East England. The Roots Initiative was their response to the bicentenary, in partnership with the Literary and Philosophical Society. The writer Sheree Mack examined the region's involvement in the slave trade and the abolition movement through historical documents, creative writing and poetry. A heritage walk around Newcastle highlighted the events, individuals and places involved in the slave trade, slavery and the abolition movement in the North-East.
This sixty-mile walking trail was devised to commemorate the bicentenary by East Riding Local Strategic Partnership's Community Cohesion Forum and the Yorkshire and Humber Faiths Forum. The trail connects some of the important places in the life of the abolitionist William Wilberforce: it starts in Hull (where Wilberforce was born), connects with Pocklington in the East Riding of Yorkshire (where he attended school) and finishes at York (where he was declared MP for the County of Yorkshire).
Uncomfortable Truths at the Victoria and Albert Museum sought to expose how embedded the transatlantic slave trade was within British culture during the 18th and 19th centuries through art and design. A series of five trails - 'Traces of the Trade' - explored the permanent collections on display through the following themes: Consuming the Black Atlantic, Black Servants in British Homes, Britain and the West Indies, Representing Slavery and Abolitionism, Gold and Slaves Transnational Trade Links. An exhibition of contemporary art examined the impact of the legacies of slavery on modern art and design. The Victoria and Albert Museum commissioned new works by Yinka Shonibare, Romauld Hazoume, Julien Sinzogan and Keith Piper. These and other contemporary interventions by a total of 11 artists were displayed throughout the museum. This exhibition later toured to Ferens Art Gallery in Hull.
The 'Truth and Rights' season of events highlighted often untold stories of Black British heroes, including focus on the actor Ira Aldridge. Visitors were also offered discussions, debates, displays and an eight week free art course. A two-day conference, 'From Cane Field to Tea Cup: The Impact of the Transatlantic Slave Trade on Art and Design' focused on V&A collections took place in February 2007.
Part of Wilberforce 2007, the Walking with Wilberforce Heritage Trail is a journey through Hull's Old Town, via twelve important landmarks related to William Wilberforce and the theme of freedom. Along the trail is the Humanitarian Wall, at the Wilberforce Institute for the study of Slavery and Emancipation, constructed in 2006 to commemorate worldwide actions for human rights and justice. The ceramic markers, inspired by the Sankofa bird, were designed especially for the trail by three community and art groups from Hull's Africa Forum, from Hull College ceramic students and from local schools working in collaboration with two local ceramic artists. The trail was launched with a celebration of African culture led by students from Hull schools and the local Congolese community.
Leeds-born businessman Richard Oastler was a leading figure in the 19th century campaign to end child slavery in the factories and mills of Yorkshire. The University of Huddersfield Archives, West Yorkshire Archives, Huddersfield Local History Library and Kirklees Museums and Galleries hold significant sources relating to the Huddersfield centred campaign against 'Yorkshire Slavery'. This project devised an exhibition ('The Past and Present of the Slave Trade') and heritage trail, and ran workshops for school children, local societies and youth theatres. A conference was held, and the University of Huddersfield Press later published John A. Hargreaves and E. A. Hilary Haigh, 'Slavery in Yorkshire: Richard Oastler and the campaign against child labour in the Industrial Revolution' (2012).